Greetings and Salutations O Ye Music Lovers. I love music also...all kinds of music....and thanks to my son Phillip...I even enjoy some country.
"Preach the Gospel always. if necessary...use words." (St. Francis of Assisi)
As most of you know...I am a Phil Phan. That would be a Phil Keaggy fan. Another Phil Phan is Larry Belknap (the K is silent)...along with his wife Debbie.
Larry plays guitar. Let me rephrase that...I play guitar...Larry PLAYS the guitar. As I listen to Larry play...I hear some Keaggy influence...BUT... then I also am drawn into the BELKNAP sound.
Larry takes the notes on a fret board... and strums and picks the strings... and the notes transcend vibrating sound and develops into a voice... telling a story...that I am drawn into...and when I close my eyes and listen...the story unfolds into my version of the story.
I have seen Larry play guitar in many venues...from small groups with 10 people...to small sanctuaries...to large theater type venues. Also I have heard Larry play everything from rock to blues to classical to everything in between. He can shred with the best and tenderly pluck the strings.
Larry has recorded two projects (thus far)...and each one is a jewel. The first project...pictured first is CHRISTMAS INSPIRATIONS from : Larry Belknap. This is a collection of "traditional Christmas music with Instrumental Acoustic Guitar Arrangement." Larry brings us to the reason for the season by the voice of his guitar on songs like: Angels We Have Heard On High, What Child Is This, God Rest Ye Merry, Gentlemen, O Holy Night, Christmas Bells, Silent Night, I Saw Three Ships and Holly and The Ivy.
Larry states..."When we learn to see past the wrapping and the gift to the giver of the gift--it's only then you can experience the full joy and blessing of the gift." When talking of the making of this CD Larry says..."The making of this CD has been a tremendous learning experience, an extensive journey of many twists and turns with moments of pure joy and intense sorrow. So it is with Great Joy I offer this labor of love."
Larry's wish for the listener is ...May this Christmas bring to you...something old and something new....an ancient message of virgin birth...a Holy Savior that came to earth imparting through His sacrifice...new hope for man...Eternal life! May this Christmas leave with you...an ancient truth and Hope new! Merry Christmas!!!" (Note on back cover)
Larry's latest project (2008) is EARTH TO HEAVEN. "Earth to Heaven...a compilation of story telling music, reflections of the many life experiences common to us all. Organically Rich and Cosmically Beautiful."
"Larry has been playing guitar since he was 8 years old. Guitar has been his life's passion. his music reflects a deep passion and strong ability to tell a story without words. His careful attention to detail evokes emotions that can personalize the music to the individual listener." (Back Cover notes)
This time around...Larry records (writes and performs) all of the songs...as opposed to CHRISTMAS INSPIRATIONS that was Larry's interpretation of Christmas classics. As we have quoted previously..."Preach the Gospel always. If necessary use words." (St. Francis of Assisi) So it is with EARTH TO HEAVEN.
Larry not only paints images with his guitar...but also able to express with pen in hand. Included in the project notes is LOOKING BACK:
"The eyes of the sunset look back at the day...to view all he choices and changes I've made. To look through the hues of the setting sun casts a new light on the way I have come. The Mountains of challenge, the valleys of fear, have rendered the service of bringing me here. The numerous losses I often have grieved, will brighten the blessings that I will receive. Observing the places where I lost my way and see how they've brought me to this very day. From the location my journey began, there was only one way to the promised land. To say I could get there by some other way, is to say I departed from some other place. To point and say there's where I shouldn't have turned, is to say there's a lesson I needn't have learned. To point ans say there's where I shouldn't have fell, is to say I should have been somebody else. How different the journey appears from the end. Could this be the reason God says to rejoice?" (Looking Back by Larry Belknap)
EARTH TO HEAVEN songs...seem to be progressive in nature (that may be my perspective) of the journey that we all walk. Songs includes: Earth To Heaven, The Departure, Sweet Solace, In The Garden, The Swamp, Unexpected Blessing, Dreams and Visions, Home at Last, All Is Well, and Gift of Love.
Again...each song...can be used as the soundtrack for your journey...that will evoke many emotions...and hopefully point you to the Guide of our journey, the Heavenly Father...as we travel from EARTH TO HEAVEN.
This last picture was taken by me...at a Bruce Cockburn concert. It is really a picture of perspective...of Larry and the love of his life Debbie...with a rack of guitars in the background... not in the forefront. So it is with Larry as God is in the center of his life...with his music in proper perspective.
COMMERCIAL BREAK
If you would like to get copies of these projects...you can contact Larry by email at:
belknaps@netzero.com
The cost is $15.00 each or 2 for $25.00. Include $2.00 for shipping and handling. They can only accept check or cash at this time...no credit cards.
As you know...or maybe you don' know...I only review projects that I like...so it should come as no surprise that The Ol' Ruminator gives Larry's two projects...five moo-moos out of five.
Love and EARTH TO HEAVEN Kisses
Rodney "I'm A Belknap Fan" Boyd
Tuesday, December 7, 2010
Friday, November 26, 2010
HAVE YOURSELF A KEAGGY LITTLE CHRISTMAS
Merry CHRISTmas and Happy HOLYdays to one and all. Well...Tis Da Season. This is being written the day after Thanksgiving...the day when we not only are full of turkey...but full of thanks...and we give it to the Father.
Before we check out the Keaggy Christmas stuff...one last thought about Thanksgiving. I wrote this on my Facebook profile and I think it really sets the tone for me...for having a truly Merry CHRISTmas and Happy HOLYdays.
"Happy Thanksgiving Day after Thanksgiving Day: Are ya still full of THANKS...are ya still giving it? Let us purpose to GIVE THANKS everyday until the next Thanksgiving Day. In a paraphrase of John Lennon's song Imagine..."Imagine all the people...living life in THANKS... ooo who."
NOTE: The first picture is a picture of two of my favorite people...Brian Mason of The Brian Mason Show on Mix 92.9 on Sunday mornings from 6:00 to 10:00 (you can listen from the radio website if you are not in Nashville)...and Phil Keaggy. I live vicariously through Brian...and his relationship with Phil as a friend. Brian's show has journeyed with me through much of my Christian walk since 1980-1983 at WSM to WLAC for 15 years 1993-1998 and at Mix 92.9 from 1998 until now. Go to http://www.brianmason.com/ to hear a 2 hour interview with Phil about multiple topics including his new Christmas project called Welcome Inn.
Phil has 4 Christmas projects...some available...some not. The first project I got back in 1998 called A CHRISTMAS GIFT. If memory serves me correct...I purchased this from the Phil Keaggy Fan Club. It was a great collection of songs...kicking off with I Saw Mommy Kissing Santa Claus. It has a great version of Jingle Bells...and a Irish sounding of Greensleeves.
In the words of Phil...who performed the percussion "I had a good time banging, shaking, and jingling! Most of all, I hope the album adds to your Christmas a truer sense of that Holy Night when Christ was born; He's our light and Saviour. The meaning of Christmas is worth deeply considering."
NOTE: The pictures do not go along with the albums that I am writing about...but that's the nature of me not knowing what I am doing on this thing when loading pictures.
The next Christmas project released...and I think it was also released from the fan club...was AN ANGEL'S CHRISTMAS. This is one of the few projects that I do not have in my collection. It is Carols performed on Acoustic guitar. Some are the same songs on the previous project with other goodies added.
NOTE: The Christmas projects that Phil has released have a progressive...growing nature to them....especially the first three projects from A CHRISTMAS GIFT...to AN ANGELS CHRISTMAS... to the rich and lush MAJESTY AND WONDER (Phil with the London Festival Orchestra).
Phil + Guitar Instrumentals + Christmas Carols = Christmas Spirit.
NOTE: This is the largest picture I could find for A CHRISTMAS GIFT. The picture of Phil as a young lad is worth the price of the project itself. "Christmas songs often evoke memories of my childhood--like when I was in the fifth grade, as I am pictured on back of the album. There aren't too many of those sorts of pictures around! At any rate, I had a great time making the album...a Christmas album is long overdue." (Phil Keaggy)
The next stage of progression in the Christmas genre' is Phil along with the London Festival Orchestra on MAJESTY AND WONDER (An Instrumental Christmas). Again, many previous songs on the two previous projects are recorded...with a fresh spin of the London Festival Orchestra playing along. Other songs not on the previous projects includes...Jesu, Joy of Man's Desiring, Nativity Suite (with Visitation, Shepherds' Song, and Flight Into Egypt).
The song that grabs me every time...and sends chills up and down my spine...is SILENT NIGHT. There is just something about the swell and ebb and flow of the strings on this...that reminds me of a Gerry and the Pacemakers song (Don't Let The Sun Catch You Crying).
This brings us to the latest project called WELCOME INN (A Phil Keaggy Christmas). The artwork alone is worth the price of the project. In the bleak, cold winter... there is a warm, inviting respite from the harshness of this world. So it is with this project.
Once again...this is a reflection of Phil's past Christmas memories... but this time...more vocals are included, including his daughter Olivia and his son Ian singing along on some of the songs. There are also some fine musicians including Johnathan Willis (strings, horns and pennywhistle), Catilin Evenson (violin), Cathy Chalmers (drums), Tom Howard (piano and string arrangements), Pedro Eustache (duduk), John Catchings (cello),.
NOTE: Tom Howard...passed away on January 2010 of a heart attack while walking in a Nashville park. He has a great musical heritage in early Jesus music and on up to the time of his death. When I hear him play on this project...brings a tear to my eyes...of sorrow for us left behind...and of joy for Tom...in the presence of the Father...well done good and faithful servant.
The first song is Best Christmas Morn...but as I type I am listening to the Brian Mason interview with Phil... and Phil reveals that in retrospect... he wishes the song Welcome Inn was the first song. According to Phil... this song sounds like mix of a Chieftan's Christmas song and Paul McCartney's Martha My Dear (off The Beatles White Album about his English Sheepdog Martha). This is one of my favorites on the project (hard to pick just one)...as it is so inviting. Again, according to Phil it is an invitation to the "listener, traveller, pilgrim" for warmth, acceptance, nourishment...that you find in the Father's Inn/house. The Father WELCOMES us IN to the INN.
Other songs that draws me in...AN ON THAT DAY (along with Olivia)...GOD REST YE MERRY, GENTLEMEN (with Olivia and Ian...previously recorded with Kim Hill) and of course SHADES OF GREEN AND RED...based on SHADES OF GREEN.. (always a crowd pleaser in concert).
NOTE: This song was on Phil's mind when he woke up...and with the final cut...the ending was just as he had imagined. When you listening to SHADES OF GREEN AND RED...you want to have yourself a Merry Irish Christmas.
All in all...you have a wonderful portrait of the Incarnation of God entering planet earth via a baby...who grew up to manifest the will of God on planet earth as it is in heaven...and to die in my place because of my sins...to reunite me with my heavenly Father.
In a world that is becoming so politically correct...where people would rather see Santa Claus or an Easter Bunny hanging on a cross...rather than the reality of Jesus...Phil points out in one of his songs about the story of Christ..."should they ban the carols in the public square...and freedom seems lost in the land of the free..."
Thanks to Phil...and also Brian for singing about the reason for life. As you have your self a KEAGGY LITTLE CHRISTMAS...realize that Phil is pointing to the true reason for the season... hand how you can have a Merry CHRISTmas...and Happy HOLYdays.
If you would like a copy of WELCOME INN go to www.philkeaggy.com or Itunes, or CD Baby or Walmart.
Love and Merry Kisses
Rodney "Tis Da Season" Boyd
Before we check out the Keaggy Christmas stuff...one last thought about Thanksgiving. I wrote this on my Facebook profile and I think it really sets the tone for me...for having a truly Merry CHRISTmas and Happy HOLYdays.
"Happy Thanksgiving Day after Thanksgiving Day: Are ya still full of THANKS...are ya still giving it? Let us purpose to GIVE THANKS everyday until the next Thanksgiving Day. In a paraphrase of John Lennon's song Imagine..."Imagine all the people...living life in THANKS... ooo who."
NOTE: The first picture is a picture of two of my favorite people...Brian Mason of The Brian Mason Show on Mix 92.9 on Sunday mornings from 6:00 to 10:00 (you can listen from the radio website if you are not in Nashville)...and Phil Keaggy. I live vicariously through Brian...and his relationship with Phil as a friend. Brian's show has journeyed with me through much of my Christian walk since 1980-1983 at WSM to WLAC for 15 years 1993-1998 and at Mix 92.9 from 1998 until now. Go to http://www.brianmason.com/ to hear a 2 hour interview with Phil about multiple topics including his new Christmas project called Welcome Inn.
Phil has 4 Christmas projects...some available...some not. The first project I got back in 1998 called A CHRISTMAS GIFT. If memory serves me correct...I purchased this from the Phil Keaggy Fan Club. It was a great collection of songs...kicking off with I Saw Mommy Kissing Santa Claus. It has a great version of Jingle Bells...and a Irish sounding of Greensleeves.
In the words of Phil...who performed the percussion "I had a good time banging, shaking, and jingling! Most of all, I hope the album adds to your Christmas a truer sense of that Holy Night when Christ was born; He's our light and Saviour. The meaning of Christmas is worth deeply considering."
NOTE: The pictures do not go along with the albums that I am writing about...but that's the nature of me not knowing what I am doing on this thing when loading pictures.
The next Christmas project released...and I think it was also released from the fan club...was AN ANGEL'S CHRISTMAS. This is one of the few projects that I do not have in my collection. It is Carols performed on Acoustic guitar. Some are the same songs on the previous project with other goodies added.
NOTE: The Christmas projects that Phil has released have a progressive...growing nature to them....especially the first three projects from A CHRISTMAS GIFT...to AN ANGELS CHRISTMAS... to the rich and lush MAJESTY AND WONDER (Phil with the London Festival Orchestra).
Phil + Guitar Instrumentals + Christmas Carols = Christmas Spirit.
NOTE: This is the largest picture I could find for A CHRISTMAS GIFT. The picture of Phil as a young lad is worth the price of the project itself. "Christmas songs often evoke memories of my childhood--like when I was in the fifth grade, as I am pictured on back of the album. There aren't too many of those sorts of pictures around! At any rate, I had a great time making the album...a Christmas album is long overdue." (Phil Keaggy)
The next stage of progression in the Christmas genre' is Phil along with the London Festival Orchestra on MAJESTY AND WONDER (An Instrumental Christmas). Again, many previous songs on the two previous projects are recorded...with a fresh spin of the London Festival Orchestra playing along. Other songs not on the previous projects includes...Jesu, Joy of Man's Desiring, Nativity Suite (with Visitation, Shepherds' Song, and Flight Into Egypt).
The song that grabs me every time...and sends chills up and down my spine...is SILENT NIGHT. There is just something about the swell and ebb and flow of the strings on this...that reminds me of a Gerry and the Pacemakers song (Don't Let The Sun Catch You Crying).
This brings us to the latest project called WELCOME INN (A Phil Keaggy Christmas). The artwork alone is worth the price of the project. In the bleak, cold winter... there is a warm, inviting respite from the harshness of this world. So it is with this project.
Once again...this is a reflection of Phil's past Christmas memories... but this time...more vocals are included, including his daughter Olivia and his son Ian singing along on some of the songs. There are also some fine musicians including Johnathan Willis (strings, horns and pennywhistle), Catilin Evenson (violin), Cathy Chalmers (drums), Tom Howard (piano and string arrangements), Pedro Eustache (duduk), John Catchings (cello),.
NOTE: Tom Howard...passed away on January 2010 of a heart attack while walking in a Nashville park. He has a great musical heritage in early Jesus music and on up to the time of his death. When I hear him play on this project...brings a tear to my eyes...of sorrow for us left behind...and of joy for Tom...in the presence of the Father...well done good and faithful servant.
The first song is Best Christmas Morn...but as I type I am listening to the Brian Mason interview with Phil... and Phil reveals that in retrospect... he wishes the song Welcome Inn was the first song. According to Phil... this song sounds like mix of a Chieftan's Christmas song and Paul McCartney's Martha My Dear (off The Beatles White Album about his English Sheepdog Martha). This is one of my favorites on the project (hard to pick just one)...as it is so inviting. Again, according to Phil it is an invitation to the "listener, traveller, pilgrim" for warmth, acceptance, nourishment...that you find in the Father's Inn/house. The Father WELCOMES us IN to the INN.
Other songs that draws me in...AN ON THAT DAY (along with Olivia)...GOD REST YE MERRY, GENTLEMEN (with Olivia and Ian...previously recorded with Kim Hill) and of course SHADES OF GREEN AND RED...based on SHADES OF GREEN.. (always a crowd pleaser in concert).
NOTE: This song was on Phil's mind when he woke up...and with the final cut...the ending was just as he had imagined. When you listening to SHADES OF GREEN AND RED...you want to have yourself a Merry Irish Christmas.
All in all...you have a wonderful portrait of the Incarnation of God entering planet earth via a baby...who grew up to manifest the will of God on planet earth as it is in heaven...and to die in my place because of my sins...to reunite me with my heavenly Father.
In a world that is becoming so politically correct...where people would rather see Santa Claus or an Easter Bunny hanging on a cross...rather than the reality of Jesus...Phil points out in one of his songs about the story of Christ..."should they ban the carols in the public square...and freedom seems lost in the land of the free..."
Thanks to Phil...and also Brian for singing about the reason for life. As you have your self a KEAGGY LITTLE CHRISTMAS...realize that Phil is pointing to the true reason for the season... hand how you can have a Merry CHRISTmas...and Happy HOLYdays.
If you would like a copy of WELCOME INN go to www.philkeaggy.com or Itunes, or CD Baby or Walmart.
Love and Merry Kisses
Rodney "Tis Da Season" Boyd
Saturday, October 16, 2010
CRIMSON AND BLUE by Phil Keaggy
Greetings and Rockin' Salutations my friends. I hope you are doing well. Today...the Ruminatin' Rod's Record Review...is again...one of my favorites.
Today, I review...CRIMSON AND BLUE by Mr. Phil Keaggy. As many of you know...and if you didn't know.. now you do know...I am a big fan of the music of Phil Keaggy. Well...I say the music of Phil Keaggy...but really the man himself. I first heard of Phil Keaggy when the bass player, friend, brother in the Lord...Mark Webster gave me a copy of Phil Keaggy's WHAT A DAY. I had never heard of Phil so I put it on the old turntable and gave it a spin. I was NOT impressed. It seemed a little to mellow for me. At the time I was listening to music by RESURRECTION BAND (from the Jesus People USA Community in Chicago)..."Music To Raise The Dead." This lukewarm reception by me to Phil's music quickly changed. I fell in love with the mellow/tender side of Phil...but later on...after listening to syndicated radio shows like the SCOTT ROSS SHOW...JESUS SOLID ROCK (with Jerry Bryant)...and hanging out at Koinonia Bookstore...I heard more and more about Phil.
Phil was in a band in the early 70's called GLASS HARP. They were a power trio...who were up and coming. They were signed to the EPIC LABEL...and managed by Van Morrison's manager. They were recording in Jimmy Hendrix's Electric Ladyland studio...and were opening up of whoever was popular at the time.
Glass Harp consisted of Daniel Peccio on bass.. John Sferra on drums...and a young guitarist by the name of Phil Keaggy. The group was famous for their jams. Originally from the Youngstown Ohio area...they were contemporary of people like the James Gang (Funk # 49, Walk Away). They played at Kent State...and were scheduled to play at Kent State but were not allowed to set up by the National Guard because of the tragic riots.
Glass Harp went on to record three studio albums...and a live project GLASS HARP LIVE AT CARNEGIE HALL (opening up for the Kinks). There was a synergistic quality with the three...and driven by the guitar gymnastics of Phil. An oddity at the time was the spiritual bent to their songs. Phil had become a Christian (the others later)...and Phil eventually dropped out and began recording Jesus Music (later to be dubbed CCM...Contemporary Christian Music). Phil would do a lot of studio work and tour with people like Honeytree, 2nd Chaper of Acts, Paul Clark, etc...and then eventually ended up in Freeville New York at the Love Inn Christian Community (See the book Scott Free by Scott Ross). He played in the community band called the Phil Keaggy Band...played with Ted Sanquist and recorded a songs of worship...along with the afore mentioned project WHAT A DAY. It was also at this time that Phil recorded LOVE BROKE THROUGH and EMERGING. He also recorded a ground breaking project...THE MASTER AND THE MUSICIAN (instrumental). NOTE: Wow...I didn't mean to ramble on about the history... but I did find it refreshing to remember the roots of Phil.
I have 50+ projects by Phil...ranging from instrumentals, Spanish, Blues, Rock, and every genre in between. If I had to choose a favorite album...I would have to choose...CRIMSON AND BLUE. It is this project...that captures the guitar genius of Phil. Sure his other projects have Phil on guitar...and they are amazing...but nothing really captures the essence of Phil like he is in concert.
NOTE: Another reason this holds a special place in my heart is my Dad. I had ordered this project and received it on a Saturday...and played it and was blown away by it. A little later on...my Dad stopped by and picked me up and we went to Eagleville Tennessee for a chitlin' supper. (Chitlins being the intestines of pigs...cleansed...boiled...and fried...also NASTY!) The project was released in 1993...and Dad passed away in October of 1993 of pancreatic cancer. CRIMSON AND BLUE always reminds me of this bitter time in my life...and helped me cope with the death of my dad. As with all of Phil's music...it becomes touchstones in my life to encourage me, lift me up, point me to Jesus.
As I said...this project showcases Phil's guitar genius...more than any of his other projects. If you notice their are different CD covers all with the CRIMSON AND BLUE LINK. Phil released one called BLUE which as the Limited Editon Rock Version of CRIMSON AND BLUE. There were extended jams...and a couple of extra songs (The Further Adventures Of, All Our Wishes, and a cover of Badfinger's Baby Blue). This was released for distribution by Word on EPIC (Glass Harp's original label).
There was also som other goodies in a project called REVELATOR (after the song John the Revelator)...with "a few variations on the themes in Crimson and Blue, celebration of life, reunion, restoration and forgiveness. It's also a peek into some of the fun, unrehearsed moments in the studio with some of my oldest and best pals." (Revelator Liner notes)
The band on the project includes: Phil Keaggy (guitars and lead vocals), John Sferra (drums),
Wade Jaynes (bass), Phil Madeira (Hammond B-3 and background vocals), Lynn Nichols (Background vocals and guitar) NOTE: Phil Madeira and Lynn Nichols were with Phil in the Love Inn Days and in The Phil Keaggy Band on the album EMERGING).
I saw the group in Nashville on the Crimson and Blue tour at 328 Performance Hall and it was flawless rock and roll.
Well...from the opening field drum beat of the song SHOUTS OF JOY to the electrified version of the old blues song JOHN THE REVELATOR....to the ending, tender instrumental of NOTHING BUT THE BLOOD OF JESUS (the true crimson in our lives) this project draws me into the presence of the Father...via the blood of Jesus.
I give CRIMSON AND BLUE...an enthusiastic 5 MOO-MOOS.
Love and Solid Rock and Roll Kisses because of the Solid Rock Jesus
Rodney "Shouts of Joy" Boyd
Today, I review...CRIMSON AND BLUE by Mr. Phil Keaggy. As many of you know...and if you didn't know.. now you do know...I am a big fan of the music of Phil Keaggy. Well...I say the music of Phil Keaggy...but really the man himself. I first heard of Phil Keaggy when the bass player, friend, brother in the Lord...Mark Webster gave me a copy of Phil Keaggy's WHAT A DAY. I had never heard of Phil so I put it on the old turntable and gave it a spin. I was NOT impressed. It seemed a little to mellow for me. At the time I was listening to music by RESURRECTION BAND (from the Jesus People USA Community in Chicago)..."Music To Raise The Dead." This lukewarm reception by me to Phil's music quickly changed. I fell in love with the mellow/tender side of Phil...but later on...after listening to syndicated radio shows like the SCOTT ROSS SHOW...JESUS SOLID ROCK (with Jerry Bryant)...and hanging out at Koinonia Bookstore...I heard more and more about Phil.
Phil was in a band in the early 70's called GLASS HARP. They were a power trio...who were up and coming. They were signed to the EPIC LABEL...and managed by Van Morrison's manager. They were recording in Jimmy Hendrix's Electric Ladyland studio...and were opening up of whoever was popular at the time.
Glass Harp consisted of Daniel Peccio on bass.. John Sferra on drums...and a young guitarist by the name of Phil Keaggy. The group was famous for their jams. Originally from the Youngstown Ohio area...they were contemporary of people like the James Gang (Funk # 49, Walk Away). They played at Kent State...and were scheduled to play at Kent State but were not allowed to set up by the National Guard because of the tragic riots.
Glass Harp went on to record three studio albums...and a live project GLASS HARP LIVE AT CARNEGIE HALL (opening up for the Kinks). There was a synergistic quality with the three...and driven by the guitar gymnastics of Phil. An oddity at the time was the spiritual bent to their songs. Phil had become a Christian (the others later)...and Phil eventually dropped out and began recording Jesus Music (later to be dubbed CCM...Contemporary Christian Music). Phil would do a lot of studio work and tour with people like Honeytree, 2nd Chaper of Acts, Paul Clark, etc...and then eventually ended up in Freeville New York at the Love Inn Christian Community (See the book Scott Free by Scott Ross). He played in the community band called the Phil Keaggy Band...played with Ted Sanquist and recorded a songs of worship...along with the afore mentioned project WHAT A DAY. It was also at this time that Phil recorded LOVE BROKE THROUGH and EMERGING. He also recorded a ground breaking project...THE MASTER AND THE MUSICIAN (instrumental). NOTE: Wow...I didn't mean to ramble on about the history... but I did find it refreshing to remember the roots of Phil.
I have 50+ projects by Phil...ranging from instrumentals, Spanish, Blues, Rock, and every genre in between. If I had to choose a favorite album...I would have to choose...CRIMSON AND BLUE. It is this project...that captures the guitar genius of Phil. Sure his other projects have Phil on guitar...and they are amazing...but nothing really captures the essence of Phil like he is in concert.
NOTE: Another reason this holds a special place in my heart is my Dad. I had ordered this project and received it on a Saturday...and played it and was blown away by it. A little later on...my Dad stopped by and picked me up and we went to Eagleville Tennessee for a chitlin' supper. (Chitlins being the intestines of pigs...cleansed...boiled...and fried...also NASTY!) The project was released in 1993...and Dad passed away in October of 1993 of pancreatic cancer. CRIMSON AND BLUE always reminds me of this bitter time in my life...and helped me cope with the death of my dad. As with all of Phil's music...it becomes touchstones in my life to encourage me, lift me up, point me to Jesus.
As I said...this project showcases Phil's guitar genius...more than any of his other projects. If you notice their are different CD covers all with the CRIMSON AND BLUE LINK. Phil released one called BLUE which as the Limited Editon Rock Version of CRIMSON AND BLUE. There were extended jams...and a couple of extra songs (The Further Adventures Of, All Our Wishes, and a cover of Badfinger's Baby Blue). This was released for distribution by Word on EPIC (Glass Harp's original label).
There was also som other goodies in a project called REVELATOR (after the song John the Revelator)...with "a few variations on the themes in Crimson and Blue, celebration of life, reunion, restoration and forgiveness. It's also a peek into some of the fun, unrehearsed moments in the studio with some of my oldest and best pals." (Revelator Liner notes)
The band on the project includes: Phil Keaggy (guitars and lead vocals), John Sferra (drums),
Wade Jaynes (bass), Phil Madeira (Hammond B-3 and background vocals), Lynn Nichols (Background vocals and guitar) NOTE: Phil Madeira and Lynn Nichols were with Phil in the Love Inn Days and in The Phil Keaggy Band on the album EMERGING).
I saw the group in Nashville on the Crimson and Blue tour at 328 Performance Hall and it was flawless rock and roll.
Well...from the opening field drum beat of the song SHOUTS OF JOY to the electrified version of the old blues song JOHN THE REVELATOR....to the ending, tender instrumental of NOTHING BUT THE BLOOD OF JESUS (the true crimson in our lives) this project draws me into the presence of the Father...via the blood of Jesus.
I give CRIMSON AND BLUE...an enthusiastic 5 MOO-MOOS.
Love and Solid Rock and Roll Kisses because of the Solid Rock Jesus
Rodney "Shouts of Joy" Boyd
Friday, October 1, 2010
SOUL'S CHAPEL Marty Stuart and his Fabulous Superlatives
Greetings Moosic Lovers...welcome to the world of Ruminatin' Rod' Record Review Moos-icology.
Marty Stuart is no newcomer to the music scene. He stared out as early as 12 years old...and has performed with everyone from Lester Flatt, Doc and Merle Watson, and Johnny Cash...as well as many solo endeavours and collaborations with multiple artists. he is well versed in the stringed instruments including guitar and mandolin.
His personal life has been a rocky road between faith and the honkytonk...between the glory and the flame. As he walked the tightrope of life...he fell of a few times (haven't we all?) I was reading the other day how...after a couple of drunk driving arrests, a divorce from Cindy CAsh (one of Johnny's daughters)... (Hey...the man aint' perfect...but neither am I) that Mavis Staples and her sister came to Marty and gave him a Roebuck "Pops" Staples original guitar. They told him that Pops would want him to have it. It became a lifeline to him. Currently Marty has a show on RFD T.V. called THE MARTY STUART SHOW....that showcases his Fabulous Superalatives and Connie Smith (his wife)...and others.
SOUL'S CHAPEL is a delightul, refreshing, stimulating collection of gospel songs mixed in with a blend of gospel, country, blues, shimmering pop sounds with a strong message.
The CD cover itself is a throw back to the 60's with the artwork and promises of Stereo...High Fidelity and a promise of the project being...COMPATIBLE WITH ALL DENOMINATIONS...on Superlative Records.
To me this project is very guitar driven (of course with multiple instruments)...and draws you in from the "git-go".
The CD opens up with a swamp sounding song called SOMEBODY SAVED ME, written by Roebuck "Pops" Staples. This is the first of two song written by Pops Staples with the second one being MOVE ALONG TRAIN...that is sung with Marty by the familiar sounds of Mavis (I'll Take You There) Staples...of the Staples Singers. It just does not get more souful than this.
I was first introduced to this project...when a Physical Therapist...and good brother in the Lord... asked me to come to the Union Rescue Mission and sing a song witht he band from his church. He told me that he could hear me singing the song COME INTO THE HOUSE OF THE LORD...from this project. Well...he was right...I truly enjoyed joining the band and giving my rendition. I sung a second song called FREE AT LAST...blowing my harmonica like BLIND LEMON PLEDGE (my bluesman persona). Well...I bought the SOUL'S CHAPEL CD sog I could practice the one song...and fell in love with the rest of the project.
Other songs includes THE GOSPEL STORY OF NOAH'S ARK...a great retelling of the story...to LORD, GIVE ME JUST A LITTLE MORE TIME... where Marty cries out...that "I'm ready when you call Lord, give me just a little more time." It is a song about being ready...but relaizing that there is a harvest that needs to be brought in. The songs intertwine musical styles from rockabilly to traditional gospel sounds...deeply rooted in the Missisippi Delta sounds that Marty grew up with as a child.
A little side note...Marty reminds me of a banty rooster ready to rock and roll at the drop of the hat...but not getting to far from his roots. Of course...if the hat is dropped...you will see one of the most famous known mullet pompadours in music history. Put on a Nudie suit...with all the spark and shimmer of Porter Waggoner...and you have country music personified.
Well...that's it for this review. I hope you enjoyed it...and would even pick you up a copy for your listening enjoyment.
I would have to give this project 5 moo-moos...out of 5. Of course...I do not review projects that I don't like...so if you want a critical critique (C.C.)...you will have to go elsewhere.
Love and Pompadoured Kisses
Rodney "Come Into The House" Boyd
Marty Stuart is no newcomer to the music scene. He stared out as early as 12 years old...and has performed with everyone from Lester Flatt, Doc and Merle Watson, and Johnny Cash...as well as many solo endeavours and collaborations with multiple artists. he is well versed in the stringed instruments including guitar and mandolin.
His personal life has been a rocky road between faith and the honkytonk...between the glory and the flame. As he walked the tightrope of life...he fell of a few times (haven't we all?) I was reading the other day how...after a couple of drunk driving arrests, a divorce from Cindy CAsh (one of Johnny's daughters)... (Hey...the man aint' perfect...but neither am I) that Mavis Staples and her sister came to Marty and gave him a Roebuck "Pops" Staples original guitar. They told him that Pops would want him to have it. It became a lifeline to him. Currently Marty has a show on RFD T.V. called THE MARTY STUART SHOW....that showcases his Fabulous Superalatives and Connie Smith (his wife)...and others.
SOUL'S CHAPEL is a delightul, refreshing, stimulating collection of gospel songs mixed in with a blend of gospel, country, blues, shimmering pop sounds with a strong message.
The CD cover itself is a throw back to the 60's with the artwork and promises of Stereo...High Fidelity and a promise of the project being...COMPATIBLE WITH ALL DENOMINATIONS...on Superlative Records.
To me this project is very guitar driven (of course with multiple instruments)...and draws you in from the "git-go".
The CD opens up with a swamp sounding song called SOMEBODY SAVED ME, written by Roebuck "Pops" Staples. This is the first of two song written by Pops Staples with the second one being MOVE ALONG TRAIN...that is sung with Marty by the familiar sounds of Mavis (I'll Take You There) Staples...of the Staples Singers. It just does not get more souful than this.
I was first introduced to this project...when a Physical Therapist...and good brother in the Lord... asked me to come to the Union Rescue Mission and sing a song witht he band from his church. He told me that he could hear me singing the song COME INTO THE HOUSE OF THE LORD...from this project. Well...he was right...I truly enjoyed joining the band and giving my rendition. I sung a second song called FREE AT LAST...blowing my harmonica like BLIND LEMON PLEDGE (my bluesman persona). Well...I bought the SOUL'S CHAPEL CD sog I could practice the one song...and fell in love with the rest of the project.
Other songs includes THE GOSPEL STORY OF NOAH'S ARK...a great retelling of the story...to LORD, GIVE ME JUST A LITTLE MORE TIME... where Marty cries out...that "I'm ready when you call Lord, give me just a little more time." It is a song about being ready...but relaizing that there is a harvest that needs to be brought in. The songs intertwine musical styles from rockabilly to traditional gospel sounds...deeply rooted in the Missisippi Delta sounds that Marty grew up with as a child.
A little side note...Marty reminds me of a banty rooster ready to rock and roll at the drop of the hat...but not getting to far from his roots. Of course...if the hat is dropped...you will see one of the most famous known mullet pompadours in music history. Put on a Nudie suit...with all the spark and shimmer of Porter Waggoner...and you have country music personified.
Well...that's it for this review. I hope you enjoyed it...and would even pick you up a copy for your listening enjoyment.
I would have to give this project 5 moo-moos...out of 5. Of course...I do not review projects that I don't like...so if you want a critical critique (C.C.)...you will have to go elsewhere.
Love and Pompadoured Kisses
Rodney "Come Into The House" Boyd
Saturday, September 18, 2010
SONGS FROM THE INNER COURT
Howdy-Do music lovers. Our last review was RUMINATOR UNPLUGGED...and now we review one of my favorite albums of all time.
NOTE: If you go to the Ruminator Reading Review...you will see a review of Pat Boone's book A NEW SONG.
This album...to me...is the sonic version of the book. It is an intimate journey of one man...into the presence of God...and tends to draw you into the presence of God also.
The album came out in 1974...and was in the midst of the Jesus Movement. Pat had given Randy Stonehill and Larry Norman $2,500 to record a couple of independent "Jesus Music" records...and even formed a company called Lamb and Lion Records to be used as an outlet for Pat's Jesus music, Dogwood, DeGarmo and Key and many others. I remember going to a Christian bookstore...and purchased this album... SONGS FROM THE INNER COURT...and AWAITING YOUR REPLY by the first Christian Metal group...RESURRECTION BAND (Music To Raise The Dead). The look on the person behind the counter was priceless...as I explained my eclectic tastes in music.
Pat was a hot property...and was even on the cover of The Rolling Stone magazine...writing about his New Song experience. It's interesting that one of the people mentioned on the cover was Pat's golfing buddy Alice Cooper...who was also a Christian.
If you remember...back in the 50's...and even to this day...Pat is demonized for singing songs by Little Richard as he covered Tutti Frutti, Rip It Up, Long Tall Sally and many other artists including Fats Domino with Ain't That A Shame, Blueberry Hill. Here was milk drinking, namby pampy, white shoes and white boy singing and homogenizing black music. The fact is...many people would never hear some of the black music of the time...if it was not for squeaky clean Pat Boone. During Pat's heyday...he was up their with Elvis (a good friend)...of Pat's. Even during his heyday...Pat was a believer who made decisions based on his Christian beliefs...refused certain sponsors, did not do certain movies, which he would later compromise (see the book A NEW SONG for details of the downward spiral).
NOTE: Pat released an album called IN A METAL MOOD...big band versions of heavy metal hits. From Smoke On The Water to Crazy Train... Pat shook things up a little bit.
SONGS FROM THE INNER COURT... again was an intimate rendering of old classics and new songs of vertical worship. As Pat puts it..."Yes, coming to a private audience with a an earthly king is a thrilling frightening experience. But what about an intimate meeting with God, the Lord of Heaven and earth? In His own inner court!" According to Pat...he has sung for kings and queens and presidents...but being able to enter into the presence of God by invitation does not compare.
I heard an interview with him talking about the recording process...as they turned down the studio lights...with minimal instrumentation...an attitude of desire...and intermittent conversation with God and singing unto Him.
I recommend...to turn the lights down low...settle into your chair...maybe a cup of tea and the Bible close at hand...and enter in to His presence.
The project opens up with Just As I Am...flows into I Can Hear My Saviour Calling....songs of request with Into My Heart....declarations of submission with I Am Thine O Lord and Have Your Own Way, Lord. Other songs of praise, adoration and surrender continues and ends with the final track...A Sacrifice of Praise.
NOTE: I first heard Pat sing A Sacrifice of Praise on a Good News Television Special by the Full Gospel Businessmen Fellowship International (FGBMFI). On the show was Kathryn Khulman, Oral Roberts, Demos Shakarian, and others with Pat singing...in English and in the Spirit as his NEW SONG...flowed in worship and adoration. It still sends chills up and down my spine...especially when I sing along.
The liner notes close out with the invitation from Pat..."come with me. Let's leave everything else behind us for a while, walk reverently into the Holy of Holies, kneel before the very throne of God, and worship the King. He welcomes us, He dies so that we could have this incredible privilege, and I will go into the Inner Court." The final Scripture verse is found in the book of
I Corinthians 14:15..."I will pray with the spirit, and I will pray with understanding also: I will sing with the spirit, and I will sing with the understanding also."
I give this project 5 moo-moos.
NOTE: If you go to the Ruminator Reading Review...you will see a review of Pat Boone's book A NEW SONG.
This album...to me...is the sonic version of the book. It is an intimate journey of one man...into the presence of God...and tends to draw you into the presence of God also.
The album came out in 1974...and was in the midst of the Jesus Movement. Pat had given Randy Stonehill and Larry Norman $2,500 to record a couple of independent "Jesus Music" records...and even formed a company called Lamb and Lion Records to be used as an outlet for Pat's Jesus music, Dogwood, DeGarmo and Key and many others. I remember going to a Christian bookstore...and purchased this album... SONGS FROM THE INNER COURT...and AWAITING YOUR REPLY by the first Christian Metal group...RESURRECTION BAND (Music To Raise The Dead). The look on the person behind the counter was priceless...as I explained my eclectic tastes in music.
Pat was a hot property...and was even on the cover of The Rolling Stone magazine...writing about his New Song experience. It's interesting that one of the people mentioned on the cover was Pat's golfing buddy Alice Cooper...who was also a Christian.
If you remember...back in the 50's...and even to this day...Pat is demonized for singing songs by Little Richard as he covered Tutti Frutti, Rip It Up, Long Tall Sally and many other artists including Fats Domino with Ain't That A Shame, Blueberry Hill. Here was milk drinking, namby pampy, white shoes and white boy singing and homogenizing black music. The fact is...many people would never hear some of the black music of the time...if it was not for squeaky clean Pat Boone. During Pat's heyday...he was up their with Elvis (a good friend)...of Pat's. Even during his heyday...Pat was a believer who made decisions based on his Christian beliefs...refused certain sponsors, did not do certain movies, which he would later compromise (see the book A NEW SONG for details of the downward spiral).
NOTE: Pat released an album called IN A METAL MOOD...big band versions of heavy metal hits. From Smoke On The Water to Crazy Train... Pat shook things up a little bit.
SONGS FROM THE INNER COURT... again was an intimate rendering of old classics and new songs of vertical worship. As Pat puts it..."Yes, coming to a private audience with a an earthly king is a thrilling frightening experience. But what about an intimate meeting with God, the Lord of Heaven and earth? In His own inner court!" According to Pat...he has sung for kings and queens and presidents...but being able to enter into the presence of God by invitation does not compare.
I heard an interview with him talking about the recording process...as they turned down the studio lights...with minimal instrumentation...an attitude of desire...and intermittent conversation with God and singing unto Him.
I recommend...to turn the lights down low...settle into your chair...maybe a cup of tea and the Bible close at hand...and enter in to His presence.
The project opens up with Just As I Am...flows into I Can Hear My Saviour Calling....songs of request with Into My Heart....declarations of submission with I Am Thine O Lord and Have Your Own Way, Lord. Other songs of praise, adoration and surrender continues and ends with the final track...A Sacrifice of Praise.
NOTE: I first heard Pat sing A Sacrifice of Praise on a Good News Television Special by the Full Gospel Businessmen Fellowship International (FGBMFI). On the show was Kathryn Khulman, Oral Roberts, Demos Shakarian, and others with Pat singing...in English and in the Spirit as his NEW SONG...flowed in worship and adoration. It still sends chills up and down my spine...especially when I sing along.
The liner notes close out with the invitation from Pat..."come with me. Let's leave everything else behind us for a while, walk reverently into the Holy of Holies, kneel before the very throne of God, and worship the King. He welcomes us, He dies so that we could have this incredible privilege, and I will go into the Inner Court." The final Scripture verse is found in the book of
I Corinthians 14:15..."I will pray with the spirit, and I will pray with understanding also: I will sing with the spirit, and I will sing with the understanding also."
I give this project 5 moo-moos.
Love and Holy Kisses
Rodney "Entering In" Boyd
Saturday, September 11, 2010
RUMINATOR UNPLUGGED
Greetings and Salutations O Ye Mooers and Chewers of the Word of God. Welcome to the first issue of RUMINATIN' ROD'S RECORD REVIEW.
This is a new feature that we are adding to the new Ruminator Website that you can access by typing in
http://www.ruminators.net/
For the first review...I thought that I would review a project near and dear to my heart...a CD that I recorded.
Say hello to Elvis' 5th cousin...twice removed on his mamma's side...Cousin Vinnie. (See the first picture)
This year...for my 59th birthday...a brother by the name of Shane "The Ear" Atkinson allowed me to come into his recording studio...and do something that I have been wanting to do for a loooooooooong time. That would be to record songs that I have written over the years...just so I could have record of them.
These tunes were recorded for the most part in one take (maybe an occasional retake)...with the flat notes, pitchy breaks, missed chords, forgotten words...with all the warts, mistakes, blunders left in to get the feel of how it really is...real. On a couple of the songs...I could not find my capo...and on others...allergies/sinus drainage was kicking in...and after about 3 straight hour of singing and playing...I was just worn out...BUT boy did I have some fun. Shane was gracious...and polished here and there...but again...I wanted this to be a collection of real songs...sung in real time...unplugged.
NOTE: These are my EXCUSES in case you ever get a chance to hear this project.
The songs range from the first song that I ever wrote after I became a Christian to the latest recording of the bluesy sounding Galatians Chapter 5 called FREE AT LAST (with a Tip O Da Hat to THE LOST DOGS. There is a little bit of country...a little bit of rock and roll...and some mellow stuff.
NOTE: In this Post Modern world...praise and worship music tends to elevate "vertical" (music sung directly to the Lord) music and looks down the nose at "horizontal" music (music sung to the people). This music can be labeled...VERTIZONTAL or HORTICAL. Oh by the way...say hello to my little friend the hippo head. Ya shoulda seen the ribs...yum yum. (just kidding about those ribs)
The bulk of these songs were birth during a moment in history on the time-space continuum called THE JESUS MOVEMENT...during the 70's. They were exhibited in public at churches, universities, girls reform schools, army bases, in fields at festivals, at town squares during block parties, etc. A lot of the creative juices were flowing when I was with a band called HOSANNA (consisting of me, Tom Rutherford on drums and Mark Webster on bass guitar). These were songs of passion, simple songs of declarations of faith, songs of encouragement, and songs of love to my Saviour.
My heartbeat is that these recordings would bless someone, encourage someone, give hope in a hopeless situation, make someone laugh and smile, and draw someone into the presence of the Lord...and most of all...bless the Father.
Here is a thumbnail sketch of each song...to give ya an idea of why they were written.
NOTE: The picture of me as one of the Blues Brothers (take your pick on which one)...reminds me that..."We're on a mission from God."
1. THE JESUS SONG
This was written in the fall of 1970... after Brenda (my wife) led me to the Lord. It is a happy little ditty...that I wrote before people convinced me that you could not rock and roll and love the Lord. It has a campfire...sing along type feel to it.
2. THE BALLAD OF VINNIE (I Use To Rock and Roll)
I wrote this song after I saw Andy Kaufman transform himself from his foreign man character into Elvis. I started doing the same thing as I transformed from Rodney...into Elvis' 5th cousin...twice removed on his mamma's side...Vinnie. The song is bout the salvation of Vinnie. It is a nice little rocker...with a nice little ending.
3. I'VE SEEN WHAT GOD CAN DO
A little country flavored song about how I have seen what God can do in people's lives.
4. ARE YOU A CHRISTIAN?
A song of encouragement to live what you believe...because others are reading you like a a book.. the Bible...and you may be the only real Christian that they see. Watch out for smudged and dirty pages.
5. DON'T YOU KNOW
A song written from my perspective of turning my back on the Lord...and eventually coming back. My Prodigal Son phase...when I was down eating with the pigs...while all the time...I could have turned back anytime I wanted...because He was waiting for me.
6. FREE AT LAST
Sung in my persona of BLIND LEMON PLEDGE...a tasty blues groove with my harmonica in tow. You can tell you are a true blues singer...when you have more harmonicas than teeth. Based on Galatians 5 about freedom.
7. AIN'T IT GOOD
Hey...bad English...good thought. This is a rousing anthem about declaring the goodness of God in the land of the living. Ain't it good to be living...living for the Lord...ain't it good to be living...with living you're not bored.
8. END TIME BLUES (If You Don't Know Jesus)
The group Hosanna announced this song at the girls reform school...and one girl shouted out...
"Don't sing me no blues." We sang it anyway. It's about the Lord coming back and the comparison of the newspapers of the day...and the Bible...in reflection of the Lord coming back.
9. THE FRUIT OF THE SPIRIT
A little toe tapping ditty taken from Galatians about the fruit of the Spirit. Hmmmm...this could be the ultimate pitchy song. I cringe as I search for the notes....but I still find myself tapping my toes. Oh well...at least it is joyful.
10. JESUS I LOVE YOU
A simple love song to Jesus...without Him as my Saviour I'd never know where to start... and without Him as my Saviour I'd never be made whole.
11. WALKING DOWN THAT ROAD
A little more country flavor like chicken and dumplings on a Sunday Morn. It always amazed me that He knew that He was going to be crucified...but He kept on heading towards Jerusalem anyhow. He endured the cross...for the joy set before Him...and we were part of that joy.
12. THE MASTER OF MY LIFE
Hmmmm...disco meets funk? This was a frantic declaration of who is my Master.
13. WALKING ON THE WATER
A song of encouragement to keep your focus on Jesus and not the storms surrounding you. This has been reported to be my sister-in-law's (Shelby Williams) favorite song that I wrote. Rumor is that THE SOAP OPERA DIGEST ON THE OLD FAMILY BIBLE is her next favorite.. but that will be for another time.
14. YAHWEH OF ISRAEL
Another love song to My God...My Rock...the Saviour of my soul.
BONUS TRACKS
This year (August 2012) I went in the studio again and recorded four more songs with Shane Atkinson. He refined these four songs a little bit more. It is like an E.P. (extended play record) where there were four songs instead of a whole album. I tagged them onto Ruminator Unplugged to hand out to a few people, but these four songs may have another album. This E.P. is called MOOSIC TO SOOTHE DA SAVAGE BEEF. Here's some insight into the songs.
1. FREE AT LAST LIVE
This was recorded on April 15th 2012 at Springhouse Worship and Arts Center when after 23 years I was given the Sunday morning pulpit. In honor of the occassion I was joined on stage with The Ruminator Choir (the Sunday School Class) with Steve Burkett on slide guitar and Shane Atkinson on tamborine. It was a spirited version and a good time was had by all.
2. THE JESUS GROOVE
This song was written in the 70's when I was with the band Hosanna (Tom Rutherford on drums, Mark Webster on bass, and me on guitar). It was my attempt to be funky.
3. THAT'S ALRIGHT JESUS
A little Thanx and Tip O Da Hat to Elvis with a rockabilly edge to it. I took Elvis' first hit (That's Alright Little Mama by Arthur Boy Crudup) and added some Christian verses to it.
4. PSALM 23 PLUS
I took the guitar riff from a song by Noel Paul Stookey (as much as I could figure out), sang the first part of Psalm 23 (The Lord is my Shepherd...) and then began to expand upon it with Isaiah 40:31, There Is A Name I Love To Hear, and Amazing Grace...all to the guitar riff. Whenever I sing it there is a Spirit of peace and anointing over the song.
Well...there ya have it...the first review from RUMINATIN' ROD'S RECORD REVIEW. I hope that if you ever get a copy of this project...that this review will give you some insight into why it was recorded and you will enter in to the moment.
Future reviews will probably NOT be negative...because...I will be reviewing only records, CD's, 8-tracks, MP3s, etc...that I LIKE.
Today's project...I give 3 moo-moos for my performance...and 5 moo-moos for the passion.
See ya next time.
Love and RECORDED Kisses
Rodney "Spinning The MOOSIC" Boyd
This is a new feature that we are adding to the new Ruminator Website that you can access by typing in
http://www.ruminators.net/
For the first review...I thought that I would review a project near and dear to my heart...a CD that I recorded.
Say hello to Elvis' 5th cousin...twice removed on his mamma's side...Cousin Vinnie. (See the first picture)
This year...for my 59th birthday...a brother by the name of Shane "The Ear" Atkinson allowed me to come into his recording studio...and do something that I have been wanting to do for a loooooooooong time. That would be to record songs that I have written over the years...just so I could have record of them.
These tunes were recorded for the most part in one take (maybe an occasional retake)...with the flat notes, pitchy breaks, missed chords, forgotten words...with all the warts, mistakes, blunders left in to get the feel of how it really is...real. On a couple of the songs...I could not find my capo...and on others...allergies/sinus drainage was kicking in...and after about 3 straight hour of singing and playing...I was just worn out...BUT boy did I have some fun. Shane was gracious...and polished here and there...but again...I wanted this to be a collection of real songs...sung in real time...unplugged.
NOTE: These are my EXCUSES in case you ever get a chance to hear this project.
The songs range from the first song that I ever wrote after I became a Christian to the latest recording of the bluesy sounding Galatians Chapter 5 called FREE AT LAST (with a Tip O Da Hat to THE LOST DOGS. There is a little bit of country...a little bit of rock and roll...and some mellow stuff.
NOTE: In this Post Modern world...praise and worship music tends to elevate "vertical" (music sung directly to the Lord) music and looks down the nose at "horizontal" music (music sung to the people). This music can be labeled...VERTIZONTAL or HORTICAL. Oh by the way...say hello to my little friend the hippo head. Ya shoulda seen the ribs...yum yum. (just kidding about those ribs)
The bulk of these songs were birth during a moment in history on the time-space continuum called THE JESUS MOVEMENT...during the 70's. They were exhibited in public at churches, universities, girls reform schools, army bases, in fields at festivals, at town squares during block parties, etc. A lot of the creative juices were flowing when I was with a band called HOSANNA (consisting of me, Tom Rutherford on drums and Mark Webster on bass guitar). These were songs of passion, simple songs of declarations of faith, songs of encouragement, and songs of love to my Saviour.
My heartbeat is that these recordings would bless someone, encourage someone, give hope in a hopeless situation, make someone laugh and smile, and draw someone into the presence of the Lord...and most of all...bless the Father.
Here is a thumbnail sketch of each song...to give ya an idea of why they were written.
NOTE: The picture of me as one of the Blues Brothers (take your pick on which one)...reminds me that..."We're on a mission from God."
1. THE JESUS SONG
This was written in the fall of 1970... after Brenda (my wife) led me to the Lord. It is a happy little ditty...that I wrote before people convinced me that you could not rock and roll and love the Lord. It has a campfire...sing along type feel to it.
2. THE BALLAD OF VINNIE (I Use To Rock and Roll)
I wrote this song after I saw Andy Kaufman transform himself from his foreign man character into Elvis. I started doing the same thing as I transformed from Rodney...into Elvis' 5th cousin...twice removed on his mamma's side...Vinnie. The song is bout the salvation of Vinnie. It is a nice little rocker...with a nice little ending.
3. I'VE SEEN WHAT GOD CAN DO
A little country flavored song about how I have seen what God can do in people's lives.
4. ARE YOU A CHRISTIAN?
A song of encouragement to live what you believe...because others are reading you like a a book.. the Bible...and you may be the only real Christian that they see. Watch out for smudged and dirty pages.
5. DON'T YOU KNOW
A song written from my perspective of turning my back on the Lord...and eventually coming back. My Prodigal Son phase...when I was down eating with the pigs...while all the time...I could have turned back anytime I wanted...because He was waiting for me.
6. FREE AT LAST
Sung in my persona of BLIND LEMON PLEDGE...a tasty blues groove with my harmonica in tow. You can tell you are a true blues singer...when you have more harmonicas than teeth. Based on Galatians 5 about freedom.
7. AIN'T IT GOOD
Hey...bad English...good thought. This is a rousing anthem about declaring the goodness of God in the land of the living. Ain't it good to be living...living for the Lord...ain't it good to be living...with living you're not bored.
8. END TIME BLUES (If You Don't Know Jesus)
The group Hosanna announced this song at the girls reform school...and one girl shouted out...
"Don't sing me no blues." We sang it anyway. It's about the Lord coming back and the comparison of the newspapers of the day...and the Bible...in reflection of the Lord coming back.
9. THE FRUIT OF THE SPIRIT
A little toe tapping ditty taken from Galatians about the fruit of the Spirit. Hmmmm...this could be the ultimate pitchy song. I cringe as I search for the notes....but I still find myself tapping my toes. Oh well...at least it is joyful.
10. JESUS I LOVE YOU
A simple love song to Jesus...without Him as my Saviour I'd never know where to start... and without Him as my Saviour I'd never be made whole.
11. WALKING DOWN THAT ROAD
A little more country flavor like chicken and dumplings on a Sunday Morn. It always amazed me that He knew that He was going to be crucified...but He kept on heading towards Jerusalem anyhow. He endured the cross...for the joy set before Him...and we were part of that joy.
12. THE MASTER OF MY LIFE
Hmmmm...disco meets funk? This was a frantic declaration of who is my Master.
13. WALKING ON THE WATER
A song of encouragement to keep your focus on Jesus and not the storms surrounding you. This has been reported to be my sister-in-law's (Shelby Williams) favorite song that I wrote. Rumor is that THE SOAP OPERA DIGEST ON THE OLD FAMILY BIBLE is her next favorite.. but that will be for another time.
14. YAHWEH OF ISRAEL
Another love song to My God...My Rock...the Saviour of my soul.
BONUS TRACKS
This year (August 2012) I went in the studio again and recorded four more songs with Shane Atkinson. He refined these four songs a little bit more. It is like an E.P. (extended play record) where there were four songs instead of a whole album. I tagged them onto Ruminator Unplugged to hand out to a few people, but these four songs may have another album. This E.P. is called MOOSIC TO SOOTHE DA SAVAGE BEEF. Here's some insight into the songs.
1. FREE AT LAST LIVE
This was recorded on April 15th 2012 at Springhouse Worship and Arts Center when after 23 years I was given the Sunday morning pulpit. In honor of the occassion I was joined on stage with The Ruminator Choir (the Sunday School Class) with Steve Burkett on slide guitar and Shane Atkinson on tamborine. It was a spirited version and a good time was had by all.
2. THE JESUS GROOVE
This song was written in the 70's when I was with the band Hosanna (Tom Rutherford on drums, Mark Webster on bass, and me on guitar). It was my attempt to be funky.
3. THAT'S ALRIGHT JESUS
A little Thanx and Tip O Da Hat to Elvis with a rockabilly edge to it. I took Elvis' first hit (That's Alright Little Mama by Arthur Boy Crudup) and added some Christian verses to it.
4. PSALM 23 PLUS
I took the guitar riff from a song by Noel Paul Stookey (as much as I could figure out), sang the first part of Psalm 23 (The Lord is my Shepherd...) and then began to expand upon it with Isaiah 40:31, There Is A Name I Love To Hear, and Amazing Grace...all to the guitar riff. Whenever I sing it there is a Spirit of peace and anointing over the song.
Well...there ya have it...the first review from RUMINATIN' ROD'S RECORD REVIEW. I hope that if you ever get a copy of this project...that this review will give you some insight into why it was recorded and you will enter in to the moment.
Future reviews will probably NOT be negative...because...I will be reviewing only records, CD's, 8-tracks, MP3s, etc...that I LIKE.
Today's project...I give 3 moo-moos for my performance...and 5 moo-moos for the passion.
See ya next time.
Love and RECORDED Kisses
Rodney "Spinning The MOOSIC" Boyd
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